Julia
It seems one actor shows are all the rage at the moment with numerous different plays for a single actor popping up on our stages. Perhaps, it’s a sign of the times and the need for theatre companies to tighten their belts a bit with a leaner production. No matter the reason, these shows are proving to be an excellent vehicle for a talented actor to fully show their ability. Julia, by Joanna Murray-Smith is no exception.
The play is about Australia’s first and only female Prime Minister and centres around her famous misogyny speech and relies on a supremely talented actor to bring this figure to life. Justine Clarke is just the person to master such a feat. Having proven her ability in a previous one woman play, Boys and Girls, Clarke once again returns to the solo stage to inhibit this well known political leader of out times.
This is never an impression show with Clarke speaking her natural voice for most of the show, rather than trying to capture Gillard’s unique voice. Similarly she looks herself, blond hair and all, for the majority of the play. Yet we have no doubt who she is playing. She brings great pathos as well as power to the role as she fully encapsulates Gillard’s life and the unique pressures Gillard faced in the top job
Murray-Smith has written a captivating play that attempts to give us an insight into what drove Gillard and the influences that formed her. At times, attempts to bring in her family life, particularly her growing up, seem strained. Yet when we get into the cut and thrust of politics we see fully what life was like. This is not a play for Gillard haters, with the show giving a loving portrayal of the former PM. While it doesn’t slip into hagiography it is rarely critical of her time in politics. Instead, it focuses on the unique pressures she faced particularly the verbal assault she received because of her gender.
The production happens on an almost bare stage, with a square well-lit stage and mirrors at the back which reflect the audience. The design by Renee Mulder is simple and effective. For most of the play Clarke is joined on stage by Jessica Bentley who serves as a silent witness to the events and a reminder of the impact Gillard had on young women.
This is a powerful performance because of Clarke’s formidable talent and, once again, shows her as one of our greatest stage talents. It’s no wonder tickets have become as rare as hens teeth as people clamour for the chance to see this master at work.
